The course equips artists, curators, museum professionals, critics, art historians and gallery owners with new vocabulary, structures and analytical know-how so they feel confident and capable with English in any international art setting.

THIS COURSE IS FOR YOU IF...

You're an ARTIST who operates internationally and participates in international art fairs, exhibitions, round tables and conferences		You are working on your ART-STATEMENT and SEEKING CONTACTS with international art-dealers and gallery owners
You're a MUSEUM CURATOR or an aspiring art critic who needs to communicate with colleagues abroad at the professional level		You’re an ART STUDENT who intends to continue art education
You are a DESIGNER or PHOTOGRAPHER who needs to build up English language skills		You are a GALLERY OWNER/ ART MANAGER who regularly travels to art fairs and writes exhibition proposals

"The internationalized art world relies on a unique language. Its purest articulation is found in the digital press release. This language has everything to do with English, but it is emphatically not English. It is largely an export of the Anglophone world and can thank the global dominance of English for its current reach. But what really matters for this language—what ultimately makes it a language—is the pointed distance from English that it has always cultivated."

Alix Rule and David Levine, “International Art English”, Triple Canopy Magazine

WHERE DID THE COURSE TAKE PLACE?

Moscow	Saint-Petersburg